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  1. From soldiers to sunbathers, how Vietnam's China Beach became hip - Telegraph
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My academic experience with non -fiction narrative has largely been in the context of post -conflict restoration after m ass violations of human rights. T he TRC itself focused on testimony from p ersonal experiences and spurred my decision to explore personal testimony in post -genocide Rwanda during my Spring study abroad in Kigali, Rwanda. For this independent research project, I conducted interviews with survivors about the testimony -giving process and read a great deal of personal testimony of the Genocide against the Tutsi.

In this essay, I was specifically examining the interaction between the construction of national narrative and personal narrative.

Vietnam Nurses - Vietnam Women's Memorial - Documentary With Dana Delany

In addition to these research projects, both of which inform my current understanding of post -conflict narrative, I specifically studied the genre of memoir through a class titled the Contemporary American Memoir w ith Professor Warde in Spring The class not only familiarized me with major works of memoir, but also provided me with insight into various literary issues that arise within the genre, the most fascinating and fundamental of which may be that involv ing the translation of experience into written text.

This act raises a variety of questions about the nature of truth, fiction, and non -fiction, and I find these questions particularly interesting. Because it unites post - conflict personal narrative with t he genre of memoir, Vietnam War literature is especially appealing to me. Its memoirs and oral histories provide an intensely dramatic context within which to examine and question the way experience is remembered and recorded.

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My methodology for this proj ect will consist of literary analysis of memoirs and oral histories, analysis of some visual images, and an investigation of theoretical and background sources applicable to the topic. Because oral histories undergo a very different process of transcripti on than memoirs, they will expand my view of how war - time experience reshapes itself as narrative.

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  • The editor of an oral history revises and organizes the words of other people, while the author of a memoir manipulates his or her own voice and experience. Within each of these genres, I wi ll look most closely at works by American authors, but I will also read several Vietnamese memoirs and oral histories by way of comparison. While I may not deal with these Vietnamese works directly in my final essay, they will deepen my understanding of the perspective being communicated by American authors. These texts will serve to illustrate the fine line between non -fictio n and fiction and will provide insight into the language and literary differences between memoir and fiction.

    I will also spend some time studying visual media of the Vietnam War, including both collections of photographs and documentaries.

    From soldiers to sunbathers, how Vietnam's China Beach became hip - Telegraph

    These sources represent a different approach to capturing and preserving experience, and thus provide examples of the diverse forms through which the Vietnam War was remembered. In addition to these primary texts, I will consider several histories of the Vietnam War i n order to develop a firm understanding of the events, geography, timeline, and historical importance of the conflict, keeping in mind the ways in which these factors might inf luence literature on the topic. My theoretical ideas will grow from my readings on the nature of autobiography, of war literature in general, and of Vietnam War literature in particular.

    For example, James Olney's edited collection, Autobiography , speaks theoretically of the genre as a whole; Paul Fussell's seminal study of British writers from World War I establishes a framework for thinking about all literature of conflict; and Renate Prescott's article on t he reliability of the narrator deals specifically with questions of remembering and recording the Vietnam War by means of oral accounts.

    Through this project, in addition to exploring the way in which authors translate experience onto the page, I also hope to examine the interface between the individual and the larger social context. Vietnam War memoirs confront the tension betw een individuals and the historical forces bearing upon their lives, and I will consider the way in which this tension influences the literary act of recording war experience. As I draw on the perspectives of various scholars and conduct close analysis of primary works, I will further refine and narrow the focus of my paper. A Rumor of War.

    New York: Picador, Carroll, James. Boston: Houghton Mifflin, Fall, Bernard B. Last Reflections on a War.


    New York: Doubleday, Gellhorn, Martha. The Face of War. New York: Atlantic Monthly, Gwin, Larry. Baptism: A Viet nam Memoir. New York: Ivy, Heinemann, Larry. Herr, Michael. New York: Vintage International, Kidder, Tracy. My Detachment: A Memoir. New Y ork: Random House, Kovic, Ron. Born on the Fourth of July. New York: McGraw -Hill, Mason, Robert. Added to Watchlist Add to Watchlist.

    What's on Freddie Highmore's Watchlist? Photos Add Image Add an image Do you have any images for this title? Edit Cast Credited cast: Chuck Barnes Himself - Canadian orthopedic surgeon archive footage Diane Carlson-Evans Herself - American nurse William J.

    Himself - U. Navy Admiral, Ret. Glenna Goodacre Herself - Monument sculptor Jim Gordon Himself - Hospital trauma doctor Brian Hebert Himself - Secretary of Defense archive footage Pete Montgomery Military doctor archive footage Marion Mullen Himself - Hospital doctor archive footage Elmer Smith Herself - Civilian Nurse Patricia L.

    Edit Storyline The Other Angels profiles courageous American civilian nurses who volunteered in for duty in primitive, understaffed, and poorly-supplied Vietnamese hospitals caring for wounded civilians caught in the crossfire of war. Genres: Documentary. Country: USA. Language: English. Runtime: 60 min. Color: Color. Goodreads helps you keep track of books you want to read. Want to Read saving….

    Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem.

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    Return to Book Page. Patricia L. Walsh grew up the eighth of fifteen children in a poor Minnesota farm family and worked her way through nursing school and anesthesia training. In , she volunteered to go to Vietnam to care for civilians caught in the crossfire. Get A Copy. Paperback , pages. More Details Original Title. Friend Reviews. To see what your friends thought of this book, please sign up.